My top 6 books for 2016

My favourite books for 2016

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I probably should have put this out at the beginning of January, but I’ve been on a writing hiatus after burning myself out with NaNoWriMo.

 

  1. The Natural Way of Things by Charlotte Wood

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The 2016 Stella Award Winning novel by Charlotte Wood about Yolanda and Verla, two very different women with one thing in common – they both were splashed all over the media as part of a sex scandal and were shamed into hiding. Except instead of being sent away to a resort they are sent to the Australian Outback under prison-like conditions. The narrative is told through the perspective of Yolanda and Verla who are polar opposites of each other. Yolanda is from a working class background and allegedly slept with a group of footballers. Verla is a university educated woman and former mistress to a politician. I read this back in March, and I was immediately pissed off by the ending. It is a difficult book to read the first time, but it has a lot to say about Australian culture and the treatment of women. I am likely to reread this one a few times again.

 

  1. Vigil by Angela Slatter

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I’ve already done a detailed review of Angela Slatter’s Vigil, but I couldn’t leave it off my list. Vigil is about Verity Fassbinder trying to police the supernatural community of Brisbane called the Weyrd. The premise is hardly revolutionary, and yet the sheer mastery of skill from Slatter as a writer makes this more than your typical urban fantasy novel. Vigil is distinctly Australian without feeling forced. I found myself loving every word and Verity’s voice.

 

  1. Welcome to Orphancorp by Marlee Jane Ward

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This was the first review on my blog. I read this over a weekend and was enthralled with the idea of a world where in the near future, Australia privatises the foster and prison systems, and they are now run by a corporation. At first, the idea seemed a bit far-fetched but after watching a documentary about how the US prison systems works and the scandal at Don Dale Youth Detention Centre it suddenly seems an incredibly realistic prospect. It’s a great book with an authentic voice, and I have seen talk on Marlee’s Twitter that she is working on some sequels which I am pumped for. No word on when they will be released.

 

  1. Goodwood by Holly Throsby

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I found this book completely by accident; I was listening to an interview with Holly on the So You Want To Be A Writer podcast and was immediately enthralled about the concept of this book that I bought it straight away and read it over four days, despite being in the middle of NaNoWriMo. It is set in 1992 in a small town called Goodwood. Seventeen-year-old Jean finds $500 in a tree near a creek where all the teenagers of the town hang out. A few days later Rosie White, the coolest girl in town disappears. Then one week later, Bart McDonald goes on a fishing trip and never comes home. I grew up in a small town in Queensland in the 1990’s and 2000’s, and she captures the small town politics and culture so well without falling into stereotypes. Despite the fact Jean isn’t the main driver of events it never feels boring as we do not only see a mystery unfold, but we’re also seeing Jean deal with being on the cusp of adulthood and all that comes with it. It’s such an excellent example of Australian fiction.

 

  1. Air Awaken Series by Elise Kova

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Technically this covers five books as I read the entire series this year. I discovered Air Awakens on a podcast like Goodwood, so it is proof that author interviews do in fact sell books. I devoured the first three books in a few days as I was travelling and had the time to do so. The fourth and fifth book are a little uneven, and it feels like the story could have been told over three books instead of five, but it’s a solid YA fantasy series that I enjoyed.

 

6. Station Eleven by Emily St John Mandel

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I actually almost missed this book as for some reason I thought I read it in 2015. But according to my blog, I did, in fact, read it this year. I really loved the concept of this book, and the writing style was enjoyable and easy to read. I don’t think it will age well as it is a reflection of our current attitudes and trends, so it will be a book that says something about a particular place and time. Which there is nothing wrong with as I’ve previously discussed. I read out a specific section to my husband about a man speaking about his last conversation on the phone with his co-workers and using corporate speak which I felt was so pointed and relevant. It’s an excellent book with a fantastic writing style and straddles the line between speculative fiction and literary fiction.

 

I realised that I completely forgot about reading some books in 2016 as I read around 50 books a year so this year I’m keeping a list and will keep you updated on what I’m reading fiction wise as you probably don’t want to hear about the self-help books I’m reading. What were your favourite books of 2016 and how did you discover them?

Discarding survival of the fittest (Part 4)

Defying Doomsday comes full circle with the final three stories.

This review contains spoilers for Defying Doomsday.

What If: the world ended and you had a disability or were chronically ill.

Defying Doomsday takes this “What If” scenario and explores it across fifteen short stories. Each story does this incredibly differently.  This post explores four of the short stories and how they approach the scenario. Check out Part 1, Part 2 and Part 3.

 

Spider Silk, Strong as Steel – Samantha Rich

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Humanity we know it no longer exists due to giant spiders taking over the world. When it’s written like that it sounds cheesy but the story doesn’t dwell on the why or the bigger picture of the world. It focuses on Emm who uses a board on wheels to get around. It doesn’t specify why but it is stated people in her community tried to cast her out before they realised she could go into the spiders dens and collect items. Now she’s treated with distant reverence. The story focuses on Emm getting ready for a ‘hunt’ where she goes into the spiders den on her board. Superstition and ritual are emphasised throughout the story such as Emm sleeping late and treating her board almost like a person.

Most of the story focuses on her going through the lair and out of all the stories in this collection, this one scared the absolute hell out of me. Giant spiders are gross and she’s sneaking through this lair pulling herself along with ‘silk’ and I was on edge the entire time I read it through. I have mentioned previously that some of the stories had too much cramed into them. Spider Silk, Strong as Steel was a wonderful and terrifying story. There was no big explanation as to why Emm couldn’t use her legs nor how the world ended up like this. It was just a slice of life in the day of a young woman who also has a disability trying to survive.

No Shit by K L Evangelista

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A plague has ravaged Australia. The story starts with Jane burying her parents. Despite this rather grim task her sarcastic tone gives immediately sets the tone for the story. “Let’s be clear up front. I didn’t kill my parents. I loved them. The plague killed them, and everyone else.”

Jane spends the next few days getting drunk and trying to find other survivors in Woolgoolga, NSW. Eventually she finds another survivor called Sam who is living in a Winnebago collecting books such as Dealing with Change and Composting Toilets. They both make a joke about not wanting to deal with sewerage (No Shit) and decide it will be the unofficial motto of their survival group. The tone of the whole story is incredibly light and amusing despite the fact these two are seemingly the last two people around.

They manage to find a professional FM transmitter and start tagging the places they go with graffiti stating Jane and Sam Alive at 5pm. They start travelling up towards Brisbane and broadcasting their message. You get a fair way through Jane’s hilarious and biting commentary before you find out she’s got Crohn’s disease which affects her bowels. Sam gets angry about her not opening up and you realise the hilarious commentary is more of a defence mechanism. Even as the narrator of her own story she doesn’t reveal this to us. They get to Brisbane and find a hospital with full energy but empty. Jane wonders why they’re not rerouting power and you get the second big reveal about her character – she’s an electrical engineer. They meet a doctor in the hospital who has a theory that the people who survived the plague all have autoimmune diseases – Sam had orchidness, Jane has Crohn’s and the doctor has MS. If this is actually correct the story doesn’t delve into it as Jane and Sam head to Mount Cootha where they’re met with applause from their fans.

This was such a great story as Jane’s voice was so strong from the outset but also allowed the reader to slowly uncover her secrets with Sam. I like that the autoimmune disease survival theory was thrown in but not explored too deeply. I’d honestly read more of Sam and Jane’s adventures as they navigated the post-apocalyptic Australian East Coast in a Winnebago.

I will remember you – Janet Edwards

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On day zero, an alien spaceship hovers over Corlforth St Peter and the USA tries to attack it. The weapons do nothing. On day one blue dots started appearing on people’s hands. The dots signified the day you were going to die. The main character Megan doesn’t have any dots on her hand as she was born without one. She assumes she will die on day five like her parents. The last day before they prepare to die is a horrible heart wrenching thing to read. They’re so calm and just eating dinner. They then go out to sit in a trench with all the other day fives to die. Megan’s mother dies midsentence and it’s so sad to read. It takes a while to realise Megan’s not actually dead. She finds out that some people have not been marked for death and they’re the heirs of humanity. Megan goes to the trenches and tells people she will remember them. They give her photos and write messages on the back. Another village has an heir but its six month old baby. Megan agrees to look after him and they set her up on a farm so she will be able to survive when everyone is gone. Another heir is found but he refuses to meet Megan until day fourteen, when everyone will be dead. As the last of the people die, Megan prepares herself for the reality she is going to be alone with a baby and a complete stranger. The other heir is a seventeen year old boy and the two of them watch as the alien spaceship leaves, their cleansing of the earth complete. As the ship flies away Megan mutters “I will remember you.”

This story was amazingly gut wrenching. From the opening of Megan describing her last day with her parents to the slow build-up of Megan knowing everyone around her was going to die was so well written. It didn’t feel melodramatic but you felt such horror at the events unfolding completely out of everyone’s control. This was the last story in the collection and it was such a great way to end. I don’t know if it was intentional but it felt like the collection came full circle – the opening story, And the rest of us wait, saw a teenage girl singing and rallying her community while I will remember you was a teenage girl watching her entire community die.

Do you think that traditionally survival and post-apocalyptic stories over favour survival of the fitness rather than luck? Would you survive the apocalypse? Start a conversation below or share on social media.

Putting Brisbane and Australianisms into urban fantasy without cultural cringe

Vigil is a well written, tightly plotted urban fantasy. It explores deep themes of belonging and family without ever pausing it’s fast paced and tightly plotted story. With a well-rounded cast of characters, a likeable protagonist and writing that feels genuinely Australian without the cultural cringe, Vigil is an excellent read.

This review contains minor spoilers for Vigil by Angela Slatter.

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What If: There was a secret society of mythological creatures hanging out in Brisbane, Queensland.

 

I am going to admit my bias upfront: I am a born and bred Queenslander and have called Brisbane my home for over five years. My approach to reading Vigil came from an insider perspective as I frequent many of the places mentioned in the book. 

 

The Execution

Verity Fassbinder is the daughter of a Weyrd (supernatural) parent and one normal (human) parent. She no supernatural powers of her own but can walk between the worlds.

Verity tries to balance her Weyrd job of hunting creatures who threaten the normal in Brisbane with her own normal existence but the two refuse to stay separate.

Either it’s her new human boyfriend finding out about the dark things that lurk beneath Brisbane’s sunny veneer or her weyrd ex-boyfriend dragging her into life threatening situations (and intimating new boyfriend).

I attended the Brisbane launch for Vigil and Slatter was clear she wanted to write a distinctly Brisbane (and by extension Australian) urban fantasy rather than something generic. Cultural cringe in Australian fiction is ineluctable and yet there are very few times when the Australianisms used cause such cringe (the only time I personally cringed was when winnie blues were mentioned. This was more to do with my teenage experience with said winnie blues rather than Slatter’s writing).

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Setting

The thing that truly sets Vigil apart from many urban fantasies is it’s setting which is Brisbane.

 

If you haven’t visited Brisbane, Vigil paints a rather accurate picture (apart of the supernatural parts) of the culture and landmarks.

 

Brisbane is Queensland’s state capital. It is the third largest city in Australia. Queensland unfortunately gets branded as “the backwards state” compared to its larger counterparts (only by population) New South Wales and Victoria. I feel like Brisbane’s reputation as the capital of the backwards state and known as the “country town capital” works brilliantly as the setting for all things weyrd.

 

There is nothing generic about Brisbane as an urban fantasy setting, even if you were reading this as someone who has never even been to the city, you get the feeling the author knows it intimately and loves it despite all its flaws. I’d compare it to reading about New York City which is the setting for so many works of fiction and non-fiction, you can often tell people’s relationship with the city through their writing and it can often be a character of its own.

 

Slatter has managed to do this for Brisbane in Vigil.

 

Characters

Verity Fassbinder is the daughter of a kinderfresser who stole children for the affluent weyrd families. He was caught by the normal police twenty-three years ago and jailed as a paedophile. His actions almost exposed the weyrd to the normal society. Verity is constantly hounded by her father’s reputation every time she associates with weyrd society. She is also actively discriminated against as a “half breed”. Her abrasive and wise cracking personality developed due to this burden as well as knowing she has no family or no place where she truly belongs. She’s not a super special heroine like many urban fantasies, she’s just a woman who has an in-demand skill, does the job and goes home. Her age isn’t explicitly given but I’d guess she’s in her late twenties or early thirties based on a few facts thrown in.

 

Zvezdomire “Bela” Tepes is Verity’s ex-boyfriend and her boss. He works for the “Council” who try their best to watch over the weyrd. He’s incredibly handsome and incredibly old, he came from the ‘old country’ (somewhere in Eastern Europe that isn’t specifically named) and like many weyrd he has lived for a long time. Slatter decides to use the ‘young looking but actually old’ supernatural trope and turn it on it’s head. Without giving away part of the plot, there is no love triangle in this book and there is no back and forth ‘will they won’t they’ romance. It has a realistic view of a relationship between a young woman and a person who is hundreds of years old but looks young. Bela drives most of the plot in the beginning but steps aside in the second act as Verity come into her own.

 

Ziggi Hassman drives Verity around for the entire book. He technically works for Bela but he has a soft spot for Verity. The book doesn’t reveal much about him other than he drives a weyrd cab, loves cake and has a Taser. Despite the lack of details, the relationship between Verity and Ziggi is portrayed so well you feel like you know much more than you actually do.

 

David is Verity’s normal love interest. He’s a computer programmer and lives at the Woolstore Apartments at Teneriffe. I mention the apartments because I always drool over them and imagine what it would be like to live in them. It was almost like wish fulfilment.

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Themes

Belonging

Verity feels like she doesn’t belong in either the normal or the weyrd world and yet she stays in Brisbane because it is the closest thing to belonging she can find. She still lives in the home her grandparents left her and hasn’t changed much about it. It reflects that she only truly felt safe there with them and doesn’t want to leave even though they have long gone.

The setting is so important in this novel compliments the fact that despite everything, Verity believes Brisbane is where she belongs even if she never feels completely at ease in either society. The way Verity sees Brisbane with detail and loving familiarity reflects this.

 

Family

Verity feels so torn between the monster her father was and her deepest loving memories of him. Verity’s upbringing by her grandparents who loved her but slightly feared the weyrd half of her affected her in such a way she generally keeps everyone at a distance until they can prove multiple times they are loyal to her. Even then, Verity tends to pick up people who are like surrogate family – Ziggi is like a father figure and despite her romantic past with Bela, he’s almost like an older brother to her. Her neighbour Mel is like her sister which contrasts to Mel’s actual sister Rose who is a drunken mess who stole Mel’s husband. It feels like the message is that while family is important, your family isn’t always the closest blood relations.

 

Final Thoughts

 

Vigil is a well written, tightly plotted urban fantasy. It explores deep themes of belonging and family without ever pausing it’s fast paced and tightly plotted story. With a well-rounded cast of characters, a likeable protagonist and writing that feels genuinely Australian without the cultural cringe, Vigil is an excellent read.

 

ABOUT THE BOOK

Vigil is Angela Slatter’s debut novel. It is the first in a series with the second book to be released in July 2017.

 

Is Brisbane a great place for a fantasy setting? Is cultural cringe only an issue in Australia or for other cultures? Start a conversation by commenting below or sharing on social media.

 

 

 

 

 

 

 

 

 

Is this Australia’s best YA novel?

As much as I love Looking for Alibrandi, On the Jellicoe Road is Melina Marchetta’s magnum opus.

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What If: a young woman abandoned by her mother as a child starts examining her past.

 

The Execution:

 

Seventeen year old Taylor Markham is a student at the Jellicoe School, a state run boarding school. Her past is a mystery she tries to unravel. All she knows is she was abandoned by her mother at eleven years old at the 7/11 outside Jellicoe. Then only a few minutes later she was found by Hannah, who lives at the Jellicoe School. She feels like Hannah knows something about her past and her mother but won’t tell her.

 

Thrown in a bunch of sub plots that all interconnect such as the wars between the school, the townies and the cadets, a serial killer, Hannah’s manuscript and a will they won’t they romance and it all combines to make such a richly layered work.

 

This story is the type of book you’re not really sure about when you first read it and then you get to the end and realise it all connects. Then you want to go back and read it again with a more critical eye.

 

I have read this book many times and it’s the execution that keeps me going back. The first read you’re spending so much time trying to figure out how it all connects but the second read you realise how multilayered and rich all the characters are.

 

 

Setting:

 

The majority of the story is set in and around the Jellicoe School which is roughly located a few hours from Sydney. Despite Jellicoe being entirely fictional, Marchetta paints the picture of the school and the surrounds with such loving language. The Prayer Tree, Hannah’s House, the Jellicoe Road, the School and the town felt like real living places rather than just a backdrop. The setting is critically important which is why the setting is the title. The word pictures to paint the description of Jellicoe make it seem like a dream like place with a soporific quality.

 

“It happened on the Jellicoe Road. The prettiest road I’d ever seen, where trees made breezy canopies like a tunnel to Shangri-La.”

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Characters:

 

Marchetta does characters well. They feel like people you’d meet in the street, that you’d want to be friends with. One of the reasons I re-read the story so much is that I love the characters. Even the small ones like Santangelo’s mother who only gets like two scenes in the entire novel. Those two scenes make me want to hear an entire story about her.

 

Main Characters:

 

Taylor Markham is the narrator and protagonist of the story. Her voice is incredibly strong and distinct but also works as an unreliable narrator due to the trauma of her early childhood. How Taylor describes the other characters makes them feel like living breathing people, even the very minor characters. The book is obviously set in Australia and the characters are Australian but it doesn’t feel heavy handed or jarring.

 

Jonah Griggs is the antagonist of the story. He is the leader of the army cadets from Sydney that come to Jellicoe every summer to camp. He comes across as gruff and hard but like Taylor has had a life filled with grief. He is incredibly strong and has fun antagonising the students of Jellicoe as part of the ‘war’.

 

Chaz Santangelo is the leader of the Townies, the teens who live in Jellicoe. He is of Aboriginal and Italian descent and his parents are the Mayor and the Chief of Police respectively. He has the type of confident that comes from living in a small close knit community and is very sure of himself. However, it has it downsides such as getting thrown into the watch house by your dad for causing a fight. He and Raffy have crazy sexual tension although he does develop a nice bro-mance with Jonah as the story goes on.

 

Raffy is a townie but goes to the Jellicoe School as her parents are teachers at the Jellicoe high school. She has known Chaz since she was a child and the familiarity with each other’s history makes for great interest. Her mothering nature clashes with Taylor’s fierce independent nature but she’s the closest friend Taylor has.

 

Hannah is the closest thing Taylor has to family yet they have a distant relationship as Taylor senses Hannah knows the answers to her deepest darkest questions about her mother and her father. Hannah’s absence is one of the main drivers of the story. She is also the author of the parallel story told about the young people living in Jellicoe in the 1980’s that Taylor reads.

 

The Brigadier is the mysterious presence that found Taylor and Jonah when they ran away years ago. Taylor believes he is connected to a series of disappearances that have been happening around Jellicoe for the last decade.

 

 

Themes:

 

Identity:

 

Taylor believes she doesn’t know who she is as she has little connection or memory to her past. This is reinforced by Raffy and Santangelo’s relationship that is based on shared history having grown up together in a small town. She feels disconnected from everyone and doesn’t feel she fits in despite being the leader of the School.

 

Family:

 

Taylor’s lack of family is such a strong theme throughout the book however she realises she has an unconventional family in the students of the school and in Hannah. The contrast to Taylor and Jonah’s experience of families to Raffy’s and Santangelo’s close knit families shows the wide spectrum of how families operate.

 

Friendship:

Hannah’s manuscript about the five young people living in Jellicoe serves as a parallel story to the main storyline. The theme of friendship, family and identity are echoed in this story within the story. Marchetta shows the idealistic friendships of youth so well in both the main storyline and the story within the story.

 

Final Thoughts:

 

Melina Marchetta is best known for her 1992 young adult smash hit Looking for Alibrandi. She is incredibly talented at writing compelling characters that you want to read over and over. As much as I love Looking for Alibrandi, On the Jellicoe Road is Melina Marchetta’s magnum opus. The layers of character, setting and subplots make it the type of book you’ll read over and over.

 

About the Book:

On the Jellicoe Road by Melina Marchetta won the US Printz Award and was shortlisted for the ABIA Awards and the Queensland Premier’s Awards.

 

Agree? Disagree? Other thoughts? Start a conversation by commenting below or sharing on social media.

 

The horrifying future of Australia’s foster care system

Welcome to Orphancorp is a great young adult read touching on a number of issues with a unique voice. Set in a dystopian near future Australia where the foster care and prison systems have been given to a private corporation, it explores the themes of sexuality, institutional abuse and race with sensitivity and wit.

Welcome to Orphancorp

This review/analysis contains mild spoilers for Welcome to Orphancorp by Marlee Jane Ward.

 

What If:

Australia outsourced the role of providing foster care and prisons to a for profit corporation.

 

The Execution:

The story is told through the perspective of 17-year-old Mirii. She is one week shy of her 18th birthday and escaping the Orphancorp system. The story starts when she is transferred into a new facility. This gives us the perspective that even though she is seasoned in the system that it’s still full of new characters. If she is good she will be released and if she misbehaves she will ended up in a Prisoncorp.

 

This delicate balance between her rebellious nature and the opportunity to escape the system that has been repressing her as a child is the main internal struggle for Mirii.

 

Characters:

Miriiyanan Mahoney (known as Mirii) is the narrator of Welcome to Orphancorp. She is a week off being eighteen and has been in the system for years. She is a wiz at gadgets and tattoos. Despite being the narrator you don’t a lot of insight into her past, just glimpses such as memories of her parents. She’s more interested in telling you how she knows the system and how she survives which can be interpreted as a defence mechanism for the horrifying life she’s led so far. She comes across as incredibly intelligent, sarcastic and insightful. She still manages to make meaningful connections with others in the house, knowing the relationships she makes could be pulled apart at any time.

 

There are numerous characters who show up only for a few moments which gives the realistic feeling of being in a large institution but is sometimes difficult to keep track of who’s who. It also feels like no one is truly fleshed out as a character other than Mirii as she doesn’t get time to get to know her roommates other than superficially. It does occasionally feel like some characters served to move the plot along such as the tech wiz at the very end.

 

The secondary characters that stood out:

 

Cam works with Mirii in the workshop as her runner. He is significantly younger than her and she is incredibly hostile to him at first. She sees the younger children as trouble. She warms up to Cam and advises him to go to school so he can at least have some smarts about him when he gets out.

 

Freya is set up as the antagonist early on in the story when Mirii catches her as she’s trying to escape. Despite Freya causing issues for Mirii, ultimately she isn’t the main antagonist of the story. She’s just like Mirii – trying to survive and escape the system. The system itself is the ultimate antagonist and the aunts and uncles serve it.

 

Setting:

The entire story is set within Verity House which is described as “a big grey box straddling an entire city block.” The technology and slang imply it is set in a not-to-distant future but we don’t get much of an outline about how updated technology is other than what serves the story. The technology is almost an afterthought and merely a plot device, the strength in the story doesn’t come from the setting or the technology but rather the characters themselves.

 

Themes:

 

Sexuality

Mirii never states she’s bisexual but early on she says “I can’t tell if they’re male or female, but it doesn’t matter because sweet babes need no gender.” The use of sexuality as another means to survive the system is incorporated seamlessly into the narrative and there are never any “ick” moments, despite the orgy that happens halfway through.

 

Privatisation of State Services

The concept of privatising the foster care and prison system seem farfetched in the current Australian system.  On closer inspection of our history as well as the American trend to farm out services previously provided by the state to corporations, it suddenly isn’t a huge leap of the imagination.

 

The business model plays on current trends in the foster care and prison system. Statistically, a ward of the state is more likely to not complete education, have unplanned pregnancies, end up in prison or experience mental illness. The fact that a corporation has decided to use this to gain profit is ingenious and horrifying at the same time.

 

Abuse and Neglect in Institutions

The physical, emotional and sexual abuse of institutions is touched upon in the delivery of Mirii’s narration as well as how the characters interact with each other. The reliance on sexual intimacy to replace the emotional support given by parents is what begins the orgy scene. It feels like a natural by-product of the environment. There is no outright depiction of sexual abuse but it is stated that the uncles have inappropriate relationships with girls in exchanges for drugs and protection. The physical abuse is the only abuse that is outright depicted with Mirii in starting the story in shackles and a gag.

 

Race:

Race is lightly touched upon in the story. Mirii believes she is Indigenous as her name means shooting star in Gamilaraay but she does concede she only knows this because she looked it up. Otherwise, she has no connection to her culture other than her name and a brief memory of a dark skinned woman she believes was her mother.. She scolds a younger resident on using derogatory terms towards Aboriginal people. It isn’t a major component of the story but it feels right to be in there due to the over-representation of Indigenous children currently in the foster care and prison systems.

 

Final Thoughts:

Welcome to Orphancorp is a great young adult read touching on a number of issues with a unique voice. Set in a dystopian near future Australia where the foster care and prison systems have been given to a private corporation, it explores the themes of sexuality, institutional abuse and race with sensitivity and wit. The restricted viewpoint of Mirii gives readers a glimpse into the results of a terrifying future for disadvantaged young people but also holding a mirror to current issues within the system. It is a solid debut novella from Marlee Jane Ward.

 

ABOUT THE BOOK

Welcome to Orphancorp by Marlee Jane Ward won Seizure’s Viva La Novella 3 and the 2016 Victorian Premiers Literary Award for Young Adult Fiction. It was shortlisted for the NSW Premiers Award, Aurealis Award and the Norma K Hemming Award. It is available from Seizure, Amazon, iBooks, Google Play, Barnes and Noble, Powells, Gleebooks and Readings.

 

Do you feel privatising the Australian foster care and prison system is realistic possibility? Start a conversation by commenting below or sharing on social media.